DEEP CUTS goes beneath the surface of horor to uncover the real fears hiding behidn the fiction. Through sharp analysis and a focus on subtext, we explore how horror helps us confront trauma, identity, and the darkest parts of the real world.
(The Horrified Linguist) “FRANKENSTEIN (1931) and BRIDE OF FRANKENSTEIN (1935): The Power of ‘THE’”
2026-03-05 14:26
(The Horrified Linguist) "FRANKENSTEIN (1931) and BRIDE OF FRANKENSTEIN (1935): The Power of "THE"
By. "Wise Up" Katie Weiss
We all know Frankenstein’s monster. Jet-black hair, stitches, broad sh...
(The Horrified Linguist) “THEY THOUGHT HE WAS FAMILY:” PRIMATE (2025)
2026-01-19 09:22
(The Horrified Linguist) "They Thought He was Family:" PRIMATE (2025)
By. "Wise Up" Katie Weiss
Every day when I come home, my son (who happens to be a cat) is thrilled to greet me at the door....
Horror as Absence: When a Body Is Replaced by Memory in JENNIFER MURPHY STILL LIVES
2026-01-05 12:26
JENNIFER MURPHY STILL LIVES is a short experimental horror film written, produced, and edited by Damian K. Lahey and read by Danielle Harris. The piece presents an urban legend about a teenage girl wh...
(Pleatherface) Fresh Meat: Discovering Halloween III and the Horror of Consumerism
2025-12-26 08:34
Fresh Meat: Discovering HALLOWEEN III and the Horror of Consumerism
By. Pleatherface
My first foray into the horror genre is part of an IP that needs little introduction. The Halloween franchise s...